9 September 2014

Thinking about library inductions (Part 4): International Students


We have just had a brilliant experience involving some of our international (and home) students in a video to mark the centenary of Dylan Thomas (a big thing here in Swansea). The library has a collection of translations of his work and we had the idea to get students to read one poem (the famous "Do not go gentle into that good night") in their own languages. Some amazing students came on board to direct it and star in it and the end results was really rather special. We were lucky enough to be able to premier it at the Dylan Unchained conference which took place last week on campus.

If I have to walk anywhere with an international student, I always ask them where they are from. If it's not weird, I'll ask them about their libraries back home. Always learn something interesting and they seem to like talking about it. My best teaching experiences have all been with international students. The Brazilians on the day after That World Cup Match, the English Learners who came with their tutor, the 3rd year Business dissertation class who LOVED all the resources we had (but why didn't we tell them about them sooner?), the excitement buzz when I told a group of Chinese students that they filmed Doctor Who in our library and showed them our collection of "Friends" DVDs...

My subject area has a massive international percentage so I have been focussing on how best to teach with that in mind. The most useful things I've found to date:

  1. If you read one thing on international students...great article on "Library Shock" (PDF) and what we can do about it. 
  2. SCONUL's "Library Services for International Students" (PDF) is the most comprehensive bit of advice aimed at the overall library service. 
  3. The HEA's "Engaging home and international students: a guide for new lecturers" (PDF) has good teaching ideas. 
  4. Thank goodness for blogs. Love Gemma Bayliss' 10 reflections / tips and Exeter Uni Business Library report from a BLA event were extremely useful. More of these needed (and less of this big whinge of an article. How many international students have "demanded" "exclusive services" from your library? Indeed. Not helpful.)
Ideas for the future?
  1. Have a "Global Champion" who takes a special interest in the international student experience and reminds us of their distinct needs when discussing service developments as well as being proactive in ideas to embrace our international community.
  2. Find out our biggest cohorts and explore their particular education systems and culture in more detail.
  3. Should we offer specific cohorts their own library introductory sessions? Not sure about this one.

5 September 2014

Thinking about library inductions (Part 3) - making sparks fly

As we plan for this year's round of library inductions, this is just one of a series of short posts on things that I'm pondering. Apologies for it not really going anywhere - just throwing it out there!
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The NSS may have its faults as a tool for assessing the worth of universities but, at the start of the year, it's good to be reminded what university teachers (that's us too) are being judged on:


  1. Staff are good at explaining things.
  2. Staff have made the subject interesting.
  3. Staff are enthusiastic about what they are teaching.
  4. The course (or, in our case, class) is intellectually stimulating.
It struck me those are pretty good aims to have when preparing any form of teaching. No.1 is pretty basic (explain things well) but the other three are things I think about a lot. The last point is perhaps the one not often at the forefront of my mind when planning a class - it can be easy to worry about overwhelming or overcomplicating but this shouldn't be at the expense of challenging students and making them think, not in a superior or patronising way, but hopefully stimulating ideas and creativity and inspiration in how they can tackle their assignments and research. We want to make lights go on. Too often I worry I'm turning them off!

11 August 2014

Thinking about library inductions (Pt. 2)

In no particular order, these are things that I have been coming back to now it's time to start thinking about inductions again:

1. Getting in the right head space for 1st year students:  Tacit knowledge and the students researcher by Barbara Fister - a reminder of assumptions that may need more explanation.

2. A caution: Library search tools. Could we make them harder to use? A great blog post on the first impression we could create (if we're not careful).

3. The kind of experience an induction could be: 10 things that learners pay attention to (and how to use them in e-learning). They're useful and relevant in any kind of learning. I'm trying to think how I could incorporate some of these in induction classes.

4.  Something along the lines of this from JISC or anything similar that is saying how young people do this and that. How about telling learners what is being said about them (e.g. their "impatience in search and navigation and zero tolerance for any delay in satisfying their information needs") and seeing how they would respond? It would start a dialogue, rather than working from a potentially patronising "I know what you're really like" kind of assumption...

5. Sheffield Uni's page on Employability and Information Literacy - stuff here could help persuade why the stuff we're talking about could be real-life important. (I teach Business students so this is particularly relevant).

6. Three simple marketing rules all libraries should live by - from Ned Potter, which puts the focus clearly on the sort of messages we should be seeking to convey. Plus this tweet from him as well:

5 August 2014

DARTS4 - Research Support Conference (par excellence!)

(This is a very belated publishing of a post! Better late than never...)

One of the amazing trees in the churchyard at Dartington Hall

In June I was lucky enough to go to the ARLG SW DARTS4 Conference at the lovely Dartington Hall near Totnes. The program looked excellent and I came home with a head full of information and ideas. There wasn't a duff session and the whole spectrum of research support was covered. Whilst I'm not a Research Librarian, it is one of our key priorities and part of my role. Things I was hoping for before I went:
  • How to support our researchers better - to understand their needs and find better ways to communicate with them
  • To get up to speed with Open Access - I am probably half way up to speed but it's a complex and fast-changing area at the moment
  • To get up to speed with Research Data management - I have a very basic knowledge as a starting point!
  • To pick up some ideas of new things to do or new ways of doing old things
Quick overview of the sessions:

Sheila Corrall (University of Pittsburg) - "From Reading Rooms to Research Commons. Context is Critical."
This focussed on the relationship between libraries (as physical spaces) and researchers but the slides contain a whole conference worth of information on where we are with research support generally. There was some amazing US examples of research spaces which most of us could only look on with (budget) envy!

Jenni Crossley (UWE) - "Research Data Management - where are we now?"
A useful overview of how the original research data enthusiasts from UWE's JISC project have fared since the initial event. We used clickers to survey the people in the room - it was reassuring to see that we weren't the only ones possibly at the less-engaged end of the spectrum. You can see the results in the slides - I am keen to try out the questions back at work and see how we benchmark as a starting position. 

Miggie Pickton (Northampton) - "Designing Practitioner Research for Impact"
Slides 3-14 give a brilliant overview of the topic of Research Impact (generally) and then slides 15 onwards deal with (library) practitioner research. I felt re-enthused to try and find the time and support to do some.

Yvonne Budden (Warwick) - "Open Access at the coalface"
I listened to this intently as we are busy revving up and promoting our institutional repository. Plenty of ideas for promotion and training and service development.

Katie Fraser and Nathan Rush (De Montford) "Communication with Research Students"
Finding out what PhD students really do and how we can help them. Opened my eyes to the full research process involved (didn't work like that in my day...) and got me thinking where our interventions could be most effective.

Leigh Garrett (UCA) - "Stuff and Data: challenges for research data management in the visual arts"
Is it impossible not to be interesting when talking about visual arts? Or are creative arts librarians particularly wonderful at doing talks? Probably a bit of both! We were all rapt at hearing about the kind of data generated by visual artists and had a go thinking about a pot and a chair and research processes and how you would record them.

Neil Jacobs (JISC) - "Open access: recalibrating the relationships"
Neil gave an overview of the work JISC is currently looking at to try and simplify some of the complexities of the current open access situation. Take a look at his slide 12 to see how complex it is! His slide 3 also gave me a fleeting longing for smarties...

And there was more...we also submitted ideas / problems for discussion - these are recorded here - and the outcomes or possible solutions can be viewed here. Just talking to people informally gave a wealth of idea and also reassurance that we weren't the only place not managing to keep up with, well, everything. I reaffirmed that I am completely unable to live tweet anything but enjoyed having that back channel both before, during and after the event. 








1 August 2014

Thinking about library inductions (Pt.1)

Here's the thing. We have at best about 45 minutes. That's 45 minutes to justify our existence with the people who matter the most. To persuade them that we're worth our wages (subsidised from their fees) for the value we can bring to their studies. To persuade them that it's in their interests to engage with us, to come back and talk to us. We need to get them interested in visiting our building and using its contents. The building may be at the centre of campus but our online spaces are completely off their information map, unless we can get them to remember to look for them. This assumes our online resources justify being looked for, can be easily found and easily used. They cost a whole lot more than our wages.

We don't have a lot to work with: a computer and a projector at the front of a big room, often full of computers they can hide behind or surf on. Then there are clickers they can vote with, voices they may or may not choose to use, phones and tablets they may prefer to focus on, friends both inside and outside the room who may distract them. If we're REALLY lucky we may have the real life* or virtual support of a tutor, telling them they need to listen to us. We have our enthusiasm, friendliness and knowledge. They may bring apathy, interest, confusion, enthusiasm, language barriers, disabilities both seen and unseen, immense talent, enormous real life problems we know nothing about...or indeed all of these in just one student. 

So that's the challenge. What the hell are we going to do about it?  

* This only happened to me once. It was the most enjoyable session I've ever taught.

12 February 2014

Why don't students read more?

Photo Credit: umjanedoan via Compfight cc

Last year I did a round table session at our Swansea Academy of Learning & Teaching conference 2013. It was a bit scary but I gave it a go in the spirit of starting a debate and tackling a common problem, namely the generally perceived lack of enthusiasm that students have for wider reading.

The topic came about as part of work I was doing on our new reading list system - lots of places have tied this kind of launch into wider work on encouraging students to read more. This is something most academics feel is A Good Thing and surely most librarians would agree with them as without readers we are pretty much out of business.

I have a bibliography in a Google Doc dating from the research I did back then (helped immensely by my colleague Susan Glen @lbglens) and below is the deck of slides I put together. It wasn't designed to be a presentation - as it says on one of the slides, I printed them off back to back so you had the perceived reason for lack of reading on one side (with a few provocative quotes) and some potential solutions on the other. Then in the session people could just pick up what interested them and discuss it. I think this would have worked better if the round table hadn't had a big hole in the middle! I'd kind of imagined that they would get circulated more easily but it wasn't a disaster. Drawing from all the literature I'd read, I was able to identify the following key issues :
  • Assumptions about students' reading ability 
  • Lack of time
  • Students not understanding what reading is expected of them
  • Boredom
  • Students perceive a poor "return on investment"
  • Subject differences 
  • Language
  • Digital Lives
The aim was to have some that would be expected (lack of time, boredom) and some that weren't (reading ability).

On the day my table was swamped! Lots of people had lots to say about this subject and it was great to see real interest in some of the suggestions proposed. I put post-its on the table for feedback and got some great comments, ranging from requests for more info to candid honesty ("I’m not sure I read as much as I should do so how do students differ?").

Not sure why it's taken me this long to get round to blogging it (prompted by the announcement of the 2014 conference!) but - belatedly - here it is:


28 September 2013

ModPo MOOC Avalanche!


So here I am again, a student on another MOOC - this time Coursera's "Modern American Poetry" (ModPo). First off, let me say that it is just brilliant. I was all for giving it a miss as I thought the timing was impossible (start of term) but I got completely hooked on the first week. I love the poetry, I love the discussions to watch, I love the whole world of meaning that is teased out of every line. Unfortunately real life term has indeed started with a vengeance meaning lots of teaching and weariness (not to mention family & kids etc.) and now by the end of Week 3 I am hanging on to my MOOC by the very slenderest thread.

Talking about this to my husband (who also did a MOOC a while back), we stalled on the question "who are MOOCs for?"

ModPo clearly states it is "fast paced" and that it requires 4-6 hours a week. Yet this week just gone there were 14 poems (by 4 authors) to study with at least one video discussion to watch of each (usually about 15-20 minutes) plus additional audio to listen to. There was also a wider discussion of Imagism and an additional painting discussion. You have 2 quizzes and this week there were 4 peer evaluations to complete on the work we did the week before as well as being required to participate in forum discussions. Who has the time to do all this to any kind of depth? Is it just people not working or full time students? Spending an hour per poem might be a reasonable average if you include learning the most basic facts about the poet and perhaps a few new technical terms per poem. The whole business of studying poetry - the joy of it - is the mulling and the re-reading. The way the course is run seems to prevent the kind of deeper enjoyment and reflection that should be the whole point. Never mind participation in the monster forums which buzz with ideas and conversation.

I don't really know who is the target audience when MOOCs get designed but I'd recommend a bit of flexibility and compassion - how about a reasonable-sized "core" each week with further reading and activities for those with the time? Also, keeping the focus of each week clear so you can immerse yourself in it fully, rather than trying to deal, in this case, with multiple new poets and ideas. Sure, I could just forget about completing ModPo and enjoy it at my own pace, but part of the beauty of the MOOC is feeling you're in step with all the others & meeting the deadlines. I also hate to be a quitter but this time I'm just going to have to get over that...

16 July 2013

MOOC Week 7 - made it!


I'm glad to say I am not one of the droppers-off - I made it to the end of my MOOC. We had an extra assignment of critiquing a work of art but I did enjoy reading some of those posted. Unfortunately this was also the first week I really became aware of how nasty people can be in the forums. There was a real bullying mentality going on in one thread and it left me feeling like I wanted to run a mile from it all. If the numbers of students are too big for effective moderation, then I guess it's just a free for all. The majority were lovely, kind, friendly, supportive people but it's the nastiness I remember now. On the plus side, there is a tuition group now formed on Facebook which I'm going to try to keep up with.

There was a long interesting forum thread where students were posting their opinions of the MOOC. General themes seemed to be that it wasn't quite what people thought (suggested that they rewrite the blurb) but enjoyable. Recurring criticism of the videos too but generally thanks to the tutors and Penn State for putting the course on. I'm hoping there will be some kind of review by the tutors where they say how they thought it went. If there is, I'll  post a link. 

My MOOC days are over now for a while. It's been hugely illuminating and I feel 100% more informed on the MOOC world. I saw first hand where the librarians would have come in useful (e.g. developing copyright advice, additional resources, providing support) but little evidence that our expertise was included in development. I'm also going to be signing up for a face to face art class in September so I shall approach that in the spirit of comparison - not least because it will cost real money as well as time & effort!

8 July 2013

MOOC Week 6

The final topic is Personal Collections displayed as artwork. I wasn't alone in struggling a bit with the topic and the artists involved. I found the readings and the videos a bit fatuous although I did enjoy discovering Joseph Cornell and that there was somebody called Ole Worm. A real down-side to the videos is their lack of images, one assumes for copyright reasons. This means that 4 minutes into a 10 minute video, I have had no example of the artist's work, just someone reading out a script to a photo of the artist. Then you get maybe three images of their work and some analysis of it but if you aren't familiar with the artist, that just doesn't make for helpful viewing. I imagine in a face-to-face art class, it would be image after image after image. Some students assume we are meant to be Googling as we go. I find myself turning to Pinterest to check out the artists.

Every week they tell us to "challenge ourselves" with the assignment. I'm still not sure I know what that means or how to do it. What would be useful is to have an artist explaining their work process and how they push themselves in this way. Still, I managed to do the assignment this week - albeit badly - and that should qualify me for the "studio track" completion, fingers crossed.

As the end approaches, there is a real sense of communities forming that may go on after the course: a G+ group and a Facebook group. Other courses have been suggested on art and poetry and I've signed up. My MOOC experience has been positive - definitely willing to give some more a go.

MOOC Week 5

This week was a clash of great topic on the MOOC and extreme lack of time. This week it was installation / environmental art including a great favourite of mine, Andy Goldsworthy. Lord knows, I've seen enough installation art - and enjoyed a fair bit of it - but what a great thing to have a better understanding of what it's all about and a deeper look at some of the key artists. 

On the down side, this was the week of continued illness, extreme business at work and all the usual kids & stuff. By Friday I hadn't even done the quiz let alone thought about the assignment and we had visitors arriving that night. So I managed to get through this week only by not attempting the practical assignment and by winging it on the quiz. I noticed that, as well as feeling I've missed an opportunity to try out the art, I feel left out. The forums are full of people posting their work and doing the peer reviews. It would have been fun. Determined to do better next week...    

28 June 2013

MOOC week 4

 A bout of illness meant I could tackle the materials by mid-week. For the first time, I noticed some shonkiness. Missing images referred to in the text, misspellings of key names (Stieglitz and O'Keeffe). The kind of thing that students would get hauled up for at uni... Otherwise the standard has been high but it made me think that if a concept of MOOC is publicity for a uni, you need to make damn sure you proof-read it properly.  

Still, the week's topic of portrait photography was great and there were a range of artists right up to present day Cindy Sherman. Once again, I was ready to go off at tangents and learn more...but there are no suggestions for further reading. Is Google it really the answer? It is in the sense that you can find examples of artwork and maybe a biography, but not so much to find criticism or ideas or appreciation of the artist. Surely there must be some good articles on Cindy Sherman out there? Yes, I could probably track one down if I had enough time but how encouraging to have had a link right there and then... There is an iTunesU version of the course which has more of this kind of thing. I'm not sure why they would have stripped it out for the MOOC?

Another issue that cropped up is pictures of people and getting their approval to post them online. No mention of this at all in the assignment brief, but in the forums others pointed out you can get apps now for in-the-field approval from people to use their image. Again, it would have been good to know best practice, even if it was not applicable for us as stumbling beginners. 

I managed to cobble together an assignment this week by deciding to do something a bit ropey rather than nothing at all. So I'm still hanging on in there...determined not to be in the quitter MOOC demographic!


20 June 2013

MOOC Week 3 - Return to Sender


This was the week the MOOC (temporarily) crashed and burned for me. I did the readings, videos and quiz but failed to submit an assignment. This is sort of OK - you only need to complete 2 to pass the studio track - but I had intended to do them all as doing the art is the reason I'm doing the MOOC. The cause of failure was primarily lack of time - the whole weekend was taken up with (very welcome) visitors and a music festival and the week before had been busy too.

I think it was also a slight lack of enthusiasm / direction. This week's topic was Mail Art - interesting as an idea, but not life-changing. I'd never heard of any of the artists being discussed and although I looked at their work and other people's, I didn't really come away understanding the motivation for it. Actually, I didn't read the Wikipedia article and that may have explained it better than the readings we were provided with :o/ (you don't get any further reading recommendations). Pinterest and Flickr come into their own as visual resources for this kind of topic. The assignment was also pretty vague ("Memory") and I didn't come up with an idea that grabbed me like the last one but - hey - that's my failing.

We did get our peer review feedback from the previous week's assignment. I was pretty pleased with mine although there were a couple of comments I felt I wanted to respond to but couldn't (as it's anonymous). Not to whinge, just to discuss. I enjoyed doing peer review but felt very inexpert on judging someone else's work against the rubric we were given. From the forum posts, some people were pretty insulted by some of the feedback they got. There has been a confusion as well about whether you can do digital art which didn't help.

I'm back on track this week...so far...


9 June 2013

MOOC - Week 2



Bananas

This week the MOOC really kicked in with the first of our art movements to study. I started the week excited to get going. I've ended the week enlightened, informed and with full momentum to keep going. I'm very embarrassed to admit that when I heard this week was on "Fantastic Art" I thought it was all about sci fi monsters and women with unfeasibly large bosoms. In fact (of course) it's all about surrealism and Dada and early inspirational artists like Rousseau, Chagall and Di Chirico. We had some introductory reading, 9 short videos on the artists and a demo video of making a collage. Then we had to complete a quiz and, if you're on the "studio track", produce a piece of artwork inspired by the genre.

Things I like love

  • The topic. Most of it was new to me and I was fascinated. It has transformed how I view artists like Dali or Miro.
  • Bananas. Discussion has raged in the forums over the videos we watch about the artists. Re this painting by Di Chirico, the voice in the video claimed the bananas were a sexual symbol whereas the forum consensus is that they are probably, well, bananas. Perhaps he was hungry, who knows? Read into it what you like....yet the videos we watch are quite dogmatic about what the paintings mean and this cuts to the heart of how you analyse art, whether you can ever claim to know what a painting means and whether you can read sex into anything if you are so inclined.
  • I did a painting. It got me actually doing it. 
  • Great fellow students. Really enjoying the social aspect on the forums and on Twitter. There is no pressure (or requirement) to interact and I'm enjoying it all the more because of that.

Things I don't like
  • No suggestions for further reading if you're interested. Yes, you can google but I'd like to know what are the best books on a given artist, any particularly useful websites or in-depth studies of them rather than just a few works and a short biography. (Oddly, there are more recommendations in the iTunesU version of the course).
  • Someone asked about copyright when using materials for collage. I suspect this can be a bit of a minefield in the professional art world but we have not had any real guidance on it. Given that many people are posting their work online, I think we need to take it seriously. Also, raising awareness that copyright exists on all images (unless it says otherwise) is surely a wise move for art beginners. Not least so we can look after our own images.
  • Both of these things could have been sorted out by a librarian hovering around the forums or having input into the course. See "Librarians: your most valuable MOOC supporters". Oh yes.

2 June 2013

MOOC - week 1


Don't laugh - that's my assignment for week 1 of the Coursera Pennsylvania State University MOOC "Introduction to Art - Concepts and Techniques". You had to introduce yourself by way of art, preferably using the techniques covered briefly (drawing with pencils, charcoal, ink, pastels, paint). So this is me, being grumpy in a coloured pencil sketch, facing the lovely Carmarthenshire countryside, which I photographed as I ran out of time to try and paint it...

I do like art - I regularly get annoyed at failing to create art - but the main reason I signed up is to experience the MOOC effect. We have been discussing them at work for a while now so I got quite excited when my course finally kicked off last week. I'm hoping to reflect weekly on how it's going...

Things I like

  • I believe it has about 54,000 students taking part and they come from all over the world. It has an amazing global community feel to it all.
  • Finding other people from Wales - the forum threads often gravitate to local sub-groups. Virtual ex-pats? 
  • It is really well done - it must have cost a bomb to produce. The site has been very robust, the materials are slick, the forums work well once you are used to them. There was a glitch with a survey not working but that got sorted pretty quick.
  • Watching art videos - I grew up watching Tony Hart so, although I normally dislike learning via video, I can watch someone do art quite happily. 
  • Anna Divinsky seems really nice - a calm, cheerful presence at the helm.
  • The launch really felt exciting when it all exploded into life. The forums have been a constant buzz of chatter, social media less so than expected but if you search on #artmooc, there is activity. 
  • I have learnt as much from looking at other students' work and "artist statements" as I have from the course materials themselves.
Things I don't like
  • Initially the forums seemed a very fast-moving, overwhelming place. I think we could have done with a quick overview of how to use them. At first I was getting zillions of emails every time someone posted a comment so I had to work out how to unsubscribe from some posts. Only today did I realise you can click on someone's name to see what else they have posted (i.e. their artwork).
  • This is very intolerant and shows me up as a complete prig but...people who don't read or don't follow the instructions... 
  • The hard part for me is thinking how to approach an art assignment. Some guidance on this would have been really good, perhaps showing how different artists go about developing ideas. Technical videos are fine but if, as they say, they want us to challenge ourselves and push our boundaries as artists (eek!), I'd have welcomed a bit more guidance.
So, week 1 over. I'm feeling very positive, nervous about the time commitment but keen to see what comes next. We start the real assessed stuff tomorrow...

6 March 2013

Researching research

Photo Credit: futureatlas.com via Compfight cc

Although I was a research student many, many years ago (before online journals, that's how long...) I don't have much spare time for research at the moment. Part of my job is to support our researchers - how can I do that if I don't do any myself? It's not about subject knowledge, it's about understanding the process and using the systems and tools. So when little jobs come up that require a bit of digging around I'm always grateful for these.

So I have been looking at the literature on whether providing lecture notes in advance affects student attendance (short answer = it doesn't). This didn't need to be a full-on literature review but I wanted to round up the best that was out there. As it's an "Education" topic, I used ERIC plus our resource discovery system (iFind Research). I spent a little time on Scopus and Web of Knowledge. It was actually Google Scholar which really turned up the goods with least amount of effort and maximum amount of results.

1. Access to Full Text
I ended up with 12 good papers that were most relevant. Of these 12....
3 = no full text available to me
3 = full text only via our university subscriptions
4 = full text freely available on the web via Google Scholar but not via iFind Research
2 = full text freely available AND we have access via our university subscriptions
The Google Scholar PDFs seemed to come from reputable sources (institutional repositories, the HEA) yet I would not have found them if I had stuck to our official university systems. They also required me to click a link - no login hurdles. This ratio of availability may vary per subject perhaps but, for me, a combination of iFind Research and Google Scholar worked best.

2. Working with my results
I have been using Mendeley to collect my results. This works well for me because it is accessible over the web, plus has a full desktop program and a good iPad app. I can store my PDFs in Mendeley and in the full desktop version I can work really well with them - highlight text, cut and paste quotes, make notes both alongside the PDF and also general notes about each one. I found it a really effective way of reading without having to print out everything. I'm generally not one for reading things on a screen but this worked for me.

I didn't find it the easiest thing to get my references into Mendeley without a fair bit of tweaking. I used the web importer button but this was patchy. I also didn't make a note of the full text URL so had to go back and do that. You can import PDFs and it will try to work out the details but, again, I found this patchy. Google Scholar results can only be imported one-by-one (download file, upload file) so that didn't work so well for me either. I suspect our institutional tool, EndNote, may work better for this.

3. Sharing my results
I can make a set of results public on Mendeley but it's a bit more fiddly than I would like as you have a create a Group. It's also a fairly easy business to cut and paste my set of references and I can choose the style (APA 6th) but it still needs a fair bit of tweaking to get it looking presentable. To share my references I therefore put them in a Word Document / PDF and shared it via our Blackboard Content Collection. Google Docs would have been the best option perhaps.

Trying all this out has raised more questions for me on methodology and tools for the job. I get the feeling there isn't one tool that will do all the things I want. At the moment, Mendeley wins out but I wish they'd develop better sharing functionality - I'd like to embed a list of references for example.

11 February 2013

"Managing your online presence" 2013

Our library-led session for students on managing your online presence has been updated once more. It is never going to be a static topic! That's what makes it fun...but also keeps us on our toes as it needs a thorough check each time before running it. The benefit of this is it forces you to revisit the session and - hopefully! - make some improvements.

This time we were running the session as part of the University's Employability Week. It followed on nicely from a separate session on personal branding so I have a new branding slide where I discussed creating a consistent image and thinking about how you could bring out your personal brand online.

I have uploaded the latest version of the presentation onto Slideshare. Contact me if you'd like more info on what was being said but you'll get the gist.


Managing your online presence from Samantha Oakley

There is also a link to the worksheet (Word document) on the first slide which has links to additional resources. I did give out a paper version but the students worked off live links in the online version to save them typing in URLs too much. The original presentation used clicker questions but I had to omit those slides. Questions asked were dotted throughout:

1. Which social networks do you use? (FB / Twitter / LinkedIn / Other / None = multiple selections allowed)
2. What did you find [after checking FB & Google]? (Something worrying / Mostly harmless stuff / Nothing / Something you're proud of)
3. What sector are you currently aiming for? (Commercial/Business / Public sector (health, civil service, teaching etc.) / Academic / Arts/media )
4. Does an employer have the right to monitor what you do online? (Yes / No / Sometimes)

Let me know if you have suggestions or thoughts or comments!

25 January 2013

Reading Lists: Challenge or Opportunity? London, 17th Jan 2013

Early daffodils in Russell Square

I'm hugely relieved I managed to get to London and back for the most excellent CPD25 event last Thursday (17th Jan), given all the snow that's fallen since. It was a long day from Swansea but well worth it for such a comprehensive programme of everything reading-list-system related. As we are in the middle of getting one, I was keen to glean as much as possible from the other presenters as well as having a chance to say where we are with our own pilot project with the very shiny new Rebus:list.

The event was a great chance to get a feel for the different systems that are out there. Sadly I missed the opening talk - Hannah Young's session on their Refworks and Moodle connection but my train just couldn't get me there on time. There were two speakers (Anselm Nye and Richard Cross) who have Talis Aspire - no surprise as it has dominated the marketplace for some time. Alison Sharman probably made of all of us feel jealous of Huddersfield's in-house "MyReading" system! I came on at the end to say where we've got to with our Rebus:list implementation - our shiny new Blackboard widget was ready just in time for me to snap a screenshot!

I also very much appreciated two sessions that looked at the issue of encouraging academic reading beyond just a system. Gary Brewerton showed the results of Loughborough's surveys into the use of reading lists. Funnily enough, I had been looking at their Academic Reading project report (PDF) on the train and wishing we could run a similar survey. The fact that they got such a high response rate suggests that the topic strikes a chord with students. Emma Delaney and Jacqueline Chenin from UWE then outlined their strategic approach to student reading. This highlighted ways of engaging with the academics to get them to consider their reading strategy: looking at how many books a student was expected to buy across a programme (not just one module), asking them to make an explicit statement about what reading they expect. They have been using their NSS comments very effectively as ammunition when engaging academics and as a rough check to see if they are improving satisfaction with access to books.

Certain topics and themes ran through all the sessions: strategy to back up any implementation, engaging academics, improving the student experience, purchasing decision calculations... I learnt much but these were some of the finer details that I'd like to follow up on:
  • Any system or approach to reading lists must embrace the diversity of pedagogical approaches that the academic bring to list creation. There may be some weird and wonderful lists out there but we need to cope with all varieties. To this end, I really like Loughborough's suggestion to their academics that they include a statement of purpose with each list, to say how students are meant to use it. I'd like it if any reading list system made that easy to do - almost to enforce it. I also liked how Huddersfield had renamed their categories to make their meaning explicit e.g. "Essential" was "You must read this".
  • Something we haven't decided to implement is allowing students to rate or comment on lists yet Loughborough and Huddersfield were very positive about this social aspect. The issue of inappropriate comments having to be policed is a little daunting but I liked the idea of allowing a thumbs up or down on a book or letting students tag them as they wish. However, we have had tags in our library catalogue and they don't seem to have been that widely used.
  • Loughborough also had a feedback dashboard for academics where they could access stats on their lists and see how it related to borrowing activity. 
  • Richard Cross described how their library made a clear statement to the academics when the system was launched about what support they would offer: "we will do this to help you". 
  • Links to purchasing options? Amazon or a local bookshop?
  • I liked Huddersfield's main project aim: that "the provision of reading lists is a positive, managed experience for students". Says it all really!
I'm glad to say I've managed to fulfil a pledge from Thing 15 from CPD23 to get more, even if I STILL haven't managed to master Prezi...


10 January 2013

Improving reading lists


We are currently in the pilot year of a brand new reading list system. Not just new for us, new to the world - we were one of the first to sign up for PTFS' Rebus:list system. I'm going to be presenting on our experiences so far at the CPD25 Reading List event on 17th January - apart from worrying that I'm going to be the weakest link, I'm excited about this as the rest of the program looks very interesting and I hope to learn a lot.

Reading List systems are one thing - and they can be just that, a system - but the key aim for us is to improve the student experience and that means also keeping an eye on the wider picture: what sort of list is most helpful to the students? How do they use a reading list? What *is* a reading list? I have lists that vary from one book to 12 pages (reduced to 9pt font!) of references for one module. What's a student supposed to do with that? There's no clue on the list.

We have started a literature review to gather evidence for some of these questions but it became clear that this is also an issue being tackled at other universities. Here are some resources I found:
  • A project report from Loughborough University (PDF) which looked at the reading habits of students. p26 onwards is particularly useful for reading lists, with the wish for more guidance and better organization emerging as a key issue.
  • An excellent presentation from Northampton University (PDF) includes some great quotes from students. This one in particular is oh so very true! “It does make me chuckle when I get the odd reading list and I look and I think: typo, spelling mistake, error, and then we get penalised!” (Year 2 student)
  • Trinity College Dublin have some good advice on reading lists on their website but their 2008-2009 audit results are also interesting, with comments again about prioritization and annotation. I liked their emphasis on accessibility/inclusion concerns too.
  • It also sounds like there is a project going on at Edge Hill - look forward to hearing about that hopefully at some point!
Does anyone have any more examples or know of research been done at their institution?

The big question for me is how to widen this debate to academic staff and engage them in looking at how we can best help students to get hold of and read the right things. I think gathering evidence from the students could be a key persuader. I am hoping we can find a way to incorporate this into the launch of our new reading list system.

14 December 2012

"Managing Your Online Presence" update

We ran this course again this term, this time with much more success (i.e. it ran!) and it was a fun class. As well as those who attended, I had a lot of email enquiries about future dates and we are running it next term as part of Employability Week.

Before the session ran, I checked the content and found that Facebook has altered its privacy tools, removing the extremely handy interactive tools that we used to recommend. The URL still works (annoyingly) but if you click on the link to "Preview your Profile" you now get a page not found error... The way to preview your profile is now done from your Timeline. There is a little settings icon which has a "View as" option.


You can choose the Public view or the view of a specific friend - you have lost the ability to view as "Friend of friend" which used to be handy. I can see that this must have become unwieldy as the greater levels of customization for items and lists but it's still a great shame to have lost this option.

"Preview your Public Search Profile" also takes you to a Help page with fresh instructions on the (much more complicated) way to do it. Having followed those instructions, the resulting page has a very plain URL:
https://www.facebook.com/samantha.oakley?p
Perhaps one can just use that URL as a short cut, replaced with your own username? Maybe someone can try it and let me know!

Anyway, all this meant re-vamping our teaching materials and I noticed today that another change to Facebook's privacy settings is being rolled out imminently so that will mean another update. The ever-changing Facebook privacy mess is a pain - it's tough to help our students monitor their online profile on a regular basis with inconsistent tools.

1 November 2012

Thing 23: What next?

Wow I've made it! The final Thing! Enough of being giddy, I need to get on with it...

Gaps in my Skills:


  • Management experience: see my Thing 21 about this. I have no real idea how to get any additional experience - I have done some managing staff but the bit I need is the real serious stuff: appraisals and the like - the sort of thing you can't get outside a real management role. Yet every manager must have started somewhere so I live in hope!
  • Cataloguing skills: I'm working on this one! I'm doing cataloguing so technically I am getting experience but I definitely need to get some foundation of knowledge about what I'm doing!
  • Welsh: always important for any job in Wales. I have just re-started learning Welsh, mostly motivated by my children going to a Welsh school, and this would also be useful at work. The uni is trying to strengthen its Welsh language provision so it is quite a hot topic right now.
  • Social Research skills: I'd like to work up to doing some evidence based library research one day. For this, I need social research methods - a total blank in my current knowledge but something I can read on, maybe even find a MOOC... No time at the moment but perhaps something for next year.
We do have an appraisal process once a year where this kind of thing gets logged and I do have some of the above down for the current year so hopefully will make some progress. 

Reflecting on the programme:

Short answer: it's been good!
The best things for me have been...
  • Starting this blog: I will try to keep it going now it's already 6 months old!
  • Connecting with people: I've really enjoyed the cross-commenting on blogs & having a common purpose shared by so many at (roughly) the same time. It has encouraged me to comment more on blog posts generally.
  • I've tried some new tools and revisited ones I've been using already - it's also reinforced my conviction that some of the tools ARE worth persevering with (Prezi - I'm going to get to you one day soon!)
  • The whole series of Things is very useful in terms of the training we do for researchers - many of the tools we have used crop up in our teaching too.
I don't have any negatives really. Perhaps some of the Things were not so relevant to me right now - I'm mid career, not seeking to change job any time soon, for example. It's always good to refresh one's thoughts on these things but I preferred the Things that pushed me in more relevant directions.